Sound recording and music publishing activities

NACE code 59.20 encompasses the sound recording and music publishing industry, a vital component of the broader creative and cultural sector. This industry plays a crucial role in the production, distribution, and promotion of musical works, contributing significantly to the entertainment and media landscape. As technology and consumer preferences evolve, the sound recording and music publishing industry continues to adapt, leveraging new platforms and business models to deliver music to audiences worldwide.

The core activities within the sound recording and music publishing industry involve the recording, mixing, and mastering of musical performances, as well as the publishing and distribution of the resulting sound recordings. This process typically begins with the recruitment and management of musical artists, followed by the recording of their performances in professional studios. The recordings are then meticulously edited, mixed, and mastered to achieve the desired sound quality. Finally, the music is packaged and distributed through various channels, including physical media, digital platforms, and live performances.

The sound recording and music publishing industry relies on a range of inputs, including musical talent, recording equipment (such as microphones, mixing consoles, and digital audio workstations), studio facilities, and distribution networks. Additionally, the industry requires access to a diverse pool of creative professionals, including producers, engineers, and marketing experts, who collaborate to bring musical works to the public.

The primary outputs of the sound recording and music publishing industry are the sound recordings themselves, which are then consumed by listeners through various channels, such as radio, streaming platforms, and live events. These sound recordings may also serve as inputs for other related industries, such as 59.11 Film and video production activities and 60.10 Radio broadcasting.